“Artcards” Reaches a Milestone

At the beginning of this year I began another blog called “Artcards” aimed at showing some of the photographs I have taken that have been worked in Photoshop to create photoart. Some of these have had very simple treatments and some very complex. Some are simply enhanced through various filters, others have had multiple treatments and have been through several generations to arrive at the final result, and may not even be finished yet. Regardless, they are my experiments and my effort to take images and give them an extra boost to bring out something interesting or unique or to set a mood or tell a story. I expected to post one a week, but here it is the end of May and I’ve already posted 100 images. It began with nature. The sunflower was Artcard #1.

It has included a number of nature and landscape images. Especially images from my many pictures of trees. Many of the artcard images are treated to look like watercolors or serigraphs. It’s a treatment that seems to work well with nature subjects. Or even pets.

There are some images that have been given a mood enhancement with layers of overlaid colors and textures. These have been some favorites and have brought numerous comments so must be something viewers like to see.

Some images lend themselves to more of a comic book style illustration or to dramatic color treatments. The laundry, the crocs, the stage singer.

Some images have been converted to abstracts through tiling or color reversals.

The nostalgic mood seems to suit some images very well. I love this old photograph look for certain timeless sorts of subjects.

I have reached back into the archives for a few of these, pulling from old color slides to give new life to an old image.

And others are brand new images that simply call out to become something more than just a photograph.

Hopefully they will all become part of the offering of Imageguy Artcards postcards. A little piece of art to send or save or frame. The experiment has brought new life from images that might have been fine on their own, but have become something unique as a result. It has given me a much greater knowledge of what Photoshop is capable of and ways to manipulate photos to create photart. It has changed my style and the way I look at my photographs, opening up so many more possibilities.

So here’s to Artcard #100! A Toast!

All images are Copyright © George Cannon, All Rights Reserved.

Art Courier – Part 2

While in Bilbao, Spain, I walked for miles around the center of the city, along the waterfront. And I probably went around the Guggenheim a dozen times. The building is an amazing architectural wonder. Some love it, others don’t. I thought it was fantastic! It’s remarkable from any vantage point and the many bridges across the river give the opportunity to see it from great vantage points.

The outside of the building is covered in sheets of titanium. Many think the building has the shape of a ship in some ways. Fitting for a city that was a major maritime center at one time. There is hardly a straight line any where in the structure. Everything curves and bends and shimmers and reflects. In front of the museum, or perhaps it’s behind the museum, along the waterfront, is a large shallow pool of water spanned by an arching bridge. From under the bridge about every hour, a cool cloud of mist rises from a series of nozzles. An art installation in itself by Japanese artist, Nakaya, it is actually a fog sculpture. On the walkway stands the giant spider sculpture by Louise Bourgeois, towering above the pedestrians that walk by and the tourists that pose beneath its legs.

Unfortunately, I have no interior pictures of the museum, which is as striking and dynamic as the exterior. The museum does not allow photography inside, even in the lobby. But the ceilings soar, and the glass and steel become sculptures in themselves. The Surrealist Show was masterfully displayed with amazing attention to detail and presentation. I notice these things since it’s what I do in my job. And no easy feat since, like outside, there are no straight walls anywhere it seems. And the giant steel plate sculptures by Richard Serra were amazing. Huge, massive, curving gracefully. Overwhelming in size. Fantastic.

I was transported back to Madrid with our painting on Thursday and spent Thursday evening in downtown Madrid with Bill Ayers from the Long Island Museum. It was raining lightly when we left to take the Metro into the city, so I didn’t take my camera which I regretted later. I’d love to go back to Madrid and spend more time there.

Friday was back to the airport and out to NYC on an Iberia plane. The flight back was far better than going over but we arrived to rain in New York. I was guided to the warehouse for storage of the painting until Saturday morning and spent the night at the Beacon Hotel on Broadway in Manhattan. The view from the 25th floor looking back toward Central Park was quite beautiful, evening and morning.

The FedEx Custom Critical truck wasn’t due at the warehouse until 10:00 so I had time in the morning for an hour and a half in Central Park. What a spectacular landscape that park is. Everywhere you turn, the eye is presented with such beautiful arrangements of trees, flowers, water, architecture, and distant views of the New York skyline. Such a treasure, a retreat, in the middle of such an amazing city.

My ride back with Ron and Linda in the FedEx truck was probably the most pleasant part of the many legs of transportation I experienced. A fantastic husband and wife driving team in their highly specialized truck, we talked about everything. Ron was an enthusiastic photography buff and he and I talked photography much of the way back to Ithaca. I felt as though I had almost made this trip primarily to meet these two wonderful people. They treated me almost like family and I was so grateful to have had the hours to spend with them.

All Images are Copyright © George Cannon, All Rights Reserved.

Art Courier from Bilbao

When Art Museums lend works for exhibitions overseas a courier usually must travel with the work, both over and back. These trips usually get offered to curators and registrars, but occasionally a lowly preparator such as myself gets an opportunity when no one else wants to make the trip. So when I was asked, “do you want to go to Bilbao, Spain?” I said, “you bet!” Art courier is no glamor trip. It’s a lot of hurry up and wait kind of stuff, but it’s an expenses paid trip to Europe, so I can’t complain. Okay, maybe I can about a few things, like the airlines.

My Flights started in Ithaca, NY and on day one our plane to Philadelphia was held for four hours while they waited on a mechanic to drive from an hour away only to tell them he couldn’t fix whatever the problem was with the brakes on the plane. Flight canceled! No way to make my connection so I’m already a day late. US Air arranged for my tickets the next day as far as Madrid, but the final leg was on Iberia whom they do not partner with so I had to get the people in Bilbao to make that new fight arrangement. Next day I left on time but in Philadelphia the plane to Madrid was held two hours because someone couldn’t figure out the problem with the air conditioning was a circuit breaker that had to be reset. So finally in Madrid, too late. Missed the flight! And I have to say that the people in Madrid at Iberia are not the easiest people to deal with although their terminal is striking. Long story short, I got to Bilbao about 28 hours late. From there on it was a breeze. Great hotel and the people at the Guggenheim were fabulous.

The painting got packed on Tuesday and wasn’t due to leave for Madrid until Thursday, so I had all day Wednesday to myself. Once I found my bearings I found my way around a small part of town easily and found Bilbao, in the heart of the Basque region, to be a very beautiful city. It was once a very industrial town with the Ria de Bilbao, which flows through the middle of the city, lined with shipping docks and factories. But as manufacturing has left and the shipping industry has declined in Bilbao, the city has rebuilt along the waterfront with a huge initiative to become a major tourist attraction. At the heart of this new rebirth is the Guggenheim Museoa Bilbao. A massive sprawling sculpture sheathed in titanium, designed by architect Frank Gehry, it commands the center of the new waterfront district. The entry is flanked by a huge sculpture by Jeff Koons known as the “Puppy”. It’s a giant West Highland terrier planted all over with flowering plants. It began as a temporary piece but was so popular it was kept permanently. Unfortunately it was being totally replanted when I was there so was surrounded with scaffolding. I believe it’s popularity has made these tiny white dogs very popular in Bilbao, because I must have seen a dozen of them on the streets while I was there. People in Bilbao are big dog fans and walk their dogs constantly along the city streets, most running free off leash, but well behaved and under control.

I’ll post more Guggenheim photos in my next post, but back to Bilbao. Never having been to Spain before, I found Bilbao a very attractive city, but was told that since it is a Basque city, that it’s not typical of most other Spanish cities. The food is very different and the basic architecture of the houses is somewhat unique. They have more of a chalet look such as you might expect in Switzerland or Austria.

There was a beautiful old square very near the hotel with a grand old church. The streets were clean and the parks very beautiful. And all through the city a great juxtaposition of old and new, and construction going on building and renovating. the architecture alone is worth the trip there. Like most old European cities, many of the streets are narrow and paved with cobblestone.

The people were gracious and friendly, and despite not knowing the language well, I had little trouble communicating. The city also has great public transportation. My only regret is that I had only one full day to visit the city on my own because there was much I didn’t see that I would have liked to.

More in the next post.

All images Copyright © George Cannon, All Rights Reserved.